Hybridization workshop of analog and digital painting on mobile surfaces</p> <p>Concept definition: In a permanently interconnected world, the fragile border between what is real and what is virtual is completely blurred.<br /> The continuous progress of digital technology leads the human being to a radical change of perspective on existence.</p> <p>In the art world the implications of this continuous change are also profound: The performing, visual and musical arts find other ways to interconnect. New creative processes emerge, uniting minds from any corner of the planet.</p> <p>In this context, with this workshop we intend to hybridize the analog world with the digital one, using new technologies that merge the material world with a universe made of bits, experimenting together with artists from other countries and from different disciplines.</p> <p>And create worlds that question what is real and what is not ... if there is something real.
The workshop will be focused on the use of physical theatre methods and skills in order to create powerful images and constellations in (public) space simply using the bodies of the performers. Through guided physical improvisations, participants will be encouraged to playfully interact and connect with each other and with the surrounding space. A creative and surprising dialogue with mundane urban scenery will be established.</p> <p>Menthors: Grega Močivnik, Nina Vombergar
The workshop is articulated in two parts:
1. Emotional Collage: using the approach of traditional collage-making we will explore possibilities and associations
rising from different materials with a special focus on stone, earth and similar elements from the nature. Each
participant will create its own personal “emotional-collage”.
2. Composition: In the second part we will work on body reactions to specific sensory input developing a short sequence.
For this work the collage from the first part of the workshop will be integrated in the process and creation.
This workshop explores the possibility of embodying sensory input from the natural elements in the movement and use them
as inspirational tools for composition and improvisation.