{"id":2569,"date":"2022-02-03T16:20:45","date_gmt":"2022-02-03T15:20:45","guid":{"rendered":"https:\/\/winterwerft.de\/puentes-the-training-of-the-performer\/"},"modified":"2022-02-03T16:20:45","modified_gmt":"2022-02-03T15:20:45","slug":"puentes-the-training-of-the-performer","status":"publish","type":"post","link":"https:\/\/winterwerft.de\/en\/puentes-the-training-of-the-performer\/","title":{"rendered":"Puentes (The Training of the Performer)"},"content":{"rendered":"<p><strong>Thursday 03.02. | 20:30<\/strong><\/p>\n<p>Is there a \u201cdramaturgy\u201d in training? Is there a training that can be understood as specifically \u201ctheatrical\u201d, beyond the training or specific stage languages? How does the group and the individual, the age, the different artistic biographies combine in a training? Does a certain training inevitably lead to a specific stage poetics?<\/p>\n<p>In this intimate work demonstration we want to open the doors to the &#8220;secret garden&#8221; of the performer to an interested public. Traditional songs, plasticity exercises, rhythm and basic acrobatics form the base of a training practice for actors and actresses.<\/p>\n<p>By and with: Winterwerft Collaborators. Trainer: Ra\u00fal Iaiza.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thursday 03.02. | 20:30 Is there a \u201cdramaturgy\u201d in training? Is there a training that can be understood as specifically \u201ctheatrical\u201d, beyond the training or specific stage languages? How does the group and the individual, the age, the different artistic biographies combine in a training?&#8230;<\/p>\n","protected":false},"author":6,"featured_media":1960,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[139],"tags":[],"class_list":["post-2569","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-do0302-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.13 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Puentes (The Training of the Performer) - Winterwerft<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/winterwerft.de\/puentes-the-training-of-the-performer\/?lang=en\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Puentes (The Training of the Performer) - Winterwerft\" \/>\n<meta property=\"og:description\" content=\"Thursday 03.02. | 20:30 Is there a \u201cdramaturgy\u201d in training? Is there a training that can be understood as specifically \u201ctheatrical\u201d, beyond the training or specific stage languages? How does the group and the individual, the age, the different artistic biographies combine in a training?...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/winterwerft.de\/puentes-the-training-of-the-performer\/?lang=en\" \/>\n<meta property=\"og:site_name\" content=\"Winterwerft\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/winterwerft\" \/>\n<meta property=\"article:published_time\" content=\"2022-02-03T15:20:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/winterwerft.de\/wp-content\/uploads\/sites\/3\/2021\/11\/WorkshopGregaNina_EDITH_winterwerft_04-1-scaled-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"533\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"winterwerft\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"winterwerft\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/winterwerft.de\/puentes-the-training-of-the-performer\/?lang=en#article\",\"isPartOf\":{\"@id\":\"https:\/\/winterwerft.de\/puentes-the-training-of-the-performer\/?lang=en\"},\"author\":{\"name\":\"winterwerft\",\"@id\":\"https:\/\/winterwerft.de\/?lang=en\/#\/schema\/person\/0f758883c288a910f8b71da41a444b1f\"},\"headline\":\"Puentes (The Training of the Performer)\",\"datePublished\":\"2022-02-03T15:20:45+00:00\",\"dateModified\":\"2022-02-03T15:20:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/winterwerft.de\/puentes-the-training-of-the-performer\/?lang=en\"},\"wordCount\":109,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/winterwerft.de\/?lang=en\/#organization\"},\"articleSection\":[\"do0302\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/winterwerft.de\/puentes-the-training-of-the-performer\/?lang=en\",\"url\":\"https:\/\/winterwerft.de\/puentes-the-training-of-the-performer\/?lang=en\",\"name\":\"Puentes (The Training of the Performer) - 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