{"version":"1.0","provider_name":"Winterwerft","provider_url":"https:\/\/winterwerft.de\/en\/","author_name":"juliakrausi","author_url":"https:\/\/winterwerft.de\/en\/author\/juliakrausi\/","title":"The Affective Dramaturgy of the Voice - Winterwerft","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"EeqhYZGppZ\"><a href=\"https:\/\/winterwerft.de\/en\/events\/the-affective-dramaturgy-of-the-voice\/\">The Affective Dramaturgy of the Voice<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/winterwerft.de\/en\/events\/the-affective-dramaturgy-of-the-voice\/embed\/#?secret=EeqhYZGppZ\" width=\"600\" height=\"338\" title=\"&#8220;The Affective Dramaturgy of the Voice&#8221; &#8212; Winterwerft\" data-secret=\"EeqhYZGppZ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/winterwerft.de\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/winterwerft.de\/wp-content\/uploads\/sites\/3\/2026\/01\/0131-Patrick-photo-by-Ana-Pais.jpg","thumbnail_width":1200,"thumbnail_height":1500,"description":"english below The Affective Dramaturgy of the Voice ist eine Arbeitsdemonstration, in der Patrick Campbell, Kernmitglied des k\u00fcnstlerischen Labors Cross Pollination (Belgien) und Dozent f\u00fcr Drama und zeitgen\u00f6ssische Performance an der Manchester Metropolitan University (Vereinigtes K\u00f6nigreich), \u00fcber seine Reise durch die Stimme reflektiert. Ausgehend von..."}